'Gwen Harwood: Father and Child Essay\r'

'The twain military chaplain and Child from Gwen Harwood explores radicals of bureau and subjugation. Barn Owl, the world-class song portrays the effect of license and the destruction that foundation occur when race are oppressed. In descent Harwood examines how equality and mutual maturity cigarette increase serenity and harmony. Due to these underlying concepts of authority and lawlessness the couplet can be viewed through a red ink perspective and it examines the effects of autocracy. Although Harwood was never publically Marxist through her criticism of oppression it is attainable to believe that she held similar worldview to that of a Marxist standpoint.\r\nIn the beginning of Barn Owl the reader witnesses the child, â€Å"a horny fiend”, attempt to escape the oppression under her tiro â€Å"who is robbed of spot by stop”. Although there is no pretext given for the poem the reader can assume that she seeks to escape her beat father. In order to free herself from her father’s authority she needed to become the â€Å"master of carriage and decease” by demonstrating her authority over the inculpable bird. Harwood’s metaphor of the levels of authority with the father highest, followed by the child and ending with the bird reflects a non-communist friendly club in which people are in social classes. Similar to a Capitalist culture, ultimately it is the works class, in Harwood’s metaphor the owl, who suffers under the persecution of those in higher social classes. ultimately these ideas of government agency and authority cause destruction and suffering.\r\n dip, the second poem in the couplet exhibits a shift in authority, where the father and child are equals. The child, now an adult has experienced the world and views her father’s authority as â€Å"ancient innocence”, no longer want to rebel, as in the first poem, and instead grieves the neediness of her â€Å"stick-thin comf orter.” As she reflects on her father’s life, she describes his â€Å" miraculous journey”. These comments are words of commendation and see a clear shift from Barn Owl, where she seeks to reb. The quiet death described by the words â€Å"your dark and day are one”, contrasts the â€Å"obscene” and â€Å" rude” murder of the owl in Barn Owl. Ultimately Harwood reflects on the idea that equality provides peace.\r\nHarwood never erupt rightly claimed to be Marxist, however the couplet Father and Child portrays underlying ideas similar to that of a Marxist worldview. Throughout some(prenominal) poems Harwood repeats words often associated with power and a capitalist society such as â€Å"master”, â€Å"wisp-haired judge”, â€Å"exalts” and â€Å"king”. The ending of twain poems are also similar as they both end with a death.\r\nAlthough the death of the owl was hideous and tragic and the father’s death w as peaceful, it is death all the same. Perhaps by repeating concepts of power and death Harwood is trying to draw the consultation to a connection between both. She may be outlining the idea that an attempt to seek power and authority can lead to a death which â€Å"no words, no tears can mend”. This can be interpreted as critiquing a society in which power and influence are the goals, not seeking relationships or community.\r\nFather and Child is a commission of the influence of authority. In Barn Owl the audience witnesses a cycle of oppression where the weakest individuals are victims. However, Nightfall exhibits a shift in authority as the father and child are equal steer to peace. Throughout the entire piece the author repeats ideas of power and authority subtly questioning the value of a society where control is the ultimate goal, not the nurturing of relationships and the victimization of a community in which all people are treated as equals.\r\n'